You may find links to my articles here, as well as the opportunity to purchase my thesis. I write with a personal style that draws deeply from tradition yet questions with the eye of a contemporary woman. As new works come out I will continue to upload them, so do check back from time time. Current projects include a book chapter, book review and work toward my first monograph.

'Actualising the Contents of the Heart:

A Practice Based Study on the Training of a Female Mevlevi Semazen'. Hannah's PhD thesis, with a new forward, printed and bound, shipped internationally.  175 pages with 72 photos and illustrations. £45 + Shipping 


Copyright applies and no part of this thesis may be copied, distributed or shared without explicit permission from the author. 

Once initial payment is received the author will contact you with additional shipping costs and to exchange details. 

'This study looks at whirling, the Mevlevi, Sufism, and performance making through the paradigm of practice based research. It is story woven around the training of a Mevlevi semazen in London, a woman and an artist.   


Based in the perennialist school of thought, this study proposes that the heart is the foundation of whirling practice in all modes of its enactment.  The unique physiology of whirling opens processes relating to purification, trance, and movement in the subtle dimensions.  As a touchstone to all modes of spiritual experience, the heart is both the ground and that which is revealed by the act of whirling.


Dance and theatre making are used, over three seasons of production, to reveal deepening layers around the artists training period. Emplacing the artist as a Westerner and a woman in relationship to Sufi and Mevlevi modes of being, surprising bridges are made between an emergent Muslim feminism, performance making, and transmodernity. 


This study argues that the body is the carrier of deep and practical knowledges and thus locates the research site in the researcher’s body and inner heart.  In widening circles the bodies and hearts of the dancers are included, which then reach out and touch the bodies of enactment in whirling, performance and ritual transnationally.'

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